罗伯特·德尼罗、致命汤米·李·琼斯、致命摩根·弗里曼将出演乔治·加洛执导的动作喜剧新片[回归之路](The Comeback Trail，暂译)。德尼罗饰演一个欠黑帮老大(弗里曼饰)债的人麦克斯·巴伯。于是在一部写得很差的西部片中，他选了一个自暴自弃、有自杀倾向的牛仔影星杜克·蒙塔纳(琼斯饰)来演主角，并打算在开拍的头几天杀死他 ，从而制造一起保险诈骗案。可杜克突然振作起来，弥补了他过去的错误，并带领麦克斯与其他人一起走上了回归之路。该片由乔希·波斯纳与导演共同根据上世纪70年代的同名电影撰写剧本，将于6月在新墨西哥州开拍。
熊文
回复 :HBO Documentary Films拿下纪录片《The Cold Blue》的美国电视版权，聚焦二战期间美国第八空军执行多项致命任务的故事，将在纽约电影节放映，明年6月播出。该片包含奥斯卡获奖导演威廉·惠勒拍摄的纪录片《孟菲斯美女号》的修复版4K和新的镜头，1943年他前往欧洲记录正在进行的空战，并在B-17轰炸机上执行实战任务，期间他的一名摄影师被杀。所有这些彩色原片都是最近在国家档案馆的储藏室里发现的。第八空军鼎盛时期是世界上最强大的空军，在1945年初战争的高峰时期，第八空军可以同时派出2000名轰炸机和1000名战斗机，参与了二战的35万空军中有2.6万人壮烈牺牲。
蒋万勋
回复 :ANDRZEJ WAJDA: LET'S SHOOT! is an extraordinary record of a few months of struggle on the set, showing an atmosphere of work and a picture of immense film machinery, and at same time presenting the truest and intimate portrait of the Master of Polish Cinema, the Oscar winner. In 1957 Andrzej Wajda won the Silver Palm in Cannes for his film 'Canal', along with 'Seventh seal' by Ingmar Bergman. We meet him 50 years later, as the author of many important films, such as 'Ashes and Diamonds', 'Man of Marble' or 'Danton', now directing one the most important films in his career, 'Katyń', about the massacre in which thousands of Polish officers, including Wajda's father, were murdered by the Soviets, during World War II - a tragedy left unspoken for decades.
于娜
回复 :The world, life and work of Jaime Fernandes, a peasant born in Barcos (Beira Baixa, Portugal), who was diagnosed with paranoid schizophrenia at the age of 38 and interned in a sanatorium in Lisbon, Hospital Miguel Bombarda, where he died at the age of 69. When he was 65-years-old he started to paint and during the short period of life-time until his death he made a brilliant pictorial work, influenced by the social environment and the sanatorium daily-life.For the Portuguese-speaking members a lot of information about the film and director can be found here: http://antonioreis.blogspot.com/For the French-speaking members: Critic de Jean Louis Schefer, Cinmathque-http://antonioreis.blogspot.com/2007/07/160-jaime-crtica-de-jean-louis-schefer.html
