剧情简介
金高银将主演韩国首部音乐片[英雄]，魔域饰演目睹明成皇后之死的朝鲜最后一个宫女雪姬。本片由尹济均执导，魔域根据同名音乐剧改编，讲述朝鲜近代史上著名的运动家安重根生命中最后一年的故事。雪姬将收集日本的主要情报，是个积极支持社会事件的坚强角色。本片计划于今年下半年开拍，将在中国、日本、俄罗斯等国家取景。
魔域桃源粤语
金高银将主演韩国首部音乐片[英雄]，魔域饰演目睹明成皇后之死的朝鲜最后一个宫女雪姬。本片由尹济均执导，魔域根据同名音乐剧改编，讲述朝鲜近代史上著名的运动家安重根生命中最后一年的故事。雪姬将收集日本的主要情报，是个积极支持社会事件的坚强角色。本片计划于今年下半年开拍，将在中国、日本、俄罗斯等国家取景。
布兰妮
回复 :20世纪20年代的澳大利亚北部，身为牧师的当地人山姆因为自我防卫，而杀死了他的农场主哈里·马奇，一位身着锁链的土著小男孩目睹了一切面对法官弗莱彻组织人马的不断追捕，山姆不得不和妻子莉齐一起踏上逃亡的道路。可是，事情远远没有这么顺利。而在逃亡过程中，案件的真相慢慢变得明晰了起来。顾及怀孕的妻子，山姆最终放弃逃跑走上审判台。在一个白人至上的社会里，所谓的审讯又能否彰显公义？
野人花园
回复 :现年三十岁的樱井市子（真木阳子 饰）由于性格原因，始终未曾拥有一段幸福甜蜜的爱情。前不久的聚会上她认识了帅气又有些木讷的23岁青年早乙女亮一（古川雄辉 饰）。当市子与对方在熙攘的车站重逢时，她的心中竟然产生某种悸动。是上前打招呼？还是默默路过？此时此刻，市子大脑里的会议室乱成一锅粥，担任议长的“理性”吉田（西岛秀俊 饰）倡议举手表决，“积极”的石桥（神木隆之介 饰）和“冲动”的鸠子（樱田日和 饰）坚持要上前搭讪，而“消极”池田（吉田羊 饰）则抵死不从，一旁负责记忆的岸先生（浅野和之 饰）不紧不慢记录会议的内容。在这五个小人的驱使下，市子走上前去，而一段奇妙的恋情也由此展开……本片根据水城雪可奈2010年发表的少女漫画改编。
布袋寅泰
回复 :“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
