故事背景为一战时期的德国。曼弗雷德·冯·里希特霍芬是一名德国飞行员，国产他有着击落80架敌机的傲人战绩，国产被称为王牌中的王牌，他的绰号叫“红男爵”。本片就是根据这位传奇人物的生平改编而成。曼弗雷德（马提亚斯·施维赫夫 Matthias Schweighöfer 饰）出身名门，自小就憧憬着飞行。成为德国飞行员后，他凭着高超的技巧以及独特的作战风格赢得别人的尊重，包括被他击落的敌方飞行员。在一次战斗中，曼弗雷德击落了英国王牌飞行员布朗，曼弗雷德在确认战果时发现布朗只是受了伤，于是将其救活。这个过程中他认识了一名美丽的护士（琳娜·海蒂 Lena Headey 饰），并对她一见钟情。1917年，曼弗雷德成为德国第一王牌飞行员，获得皇帝亲自颁授的最高勋章。后来，他将自己的战机涂装成了显眼的红色，率领11中队，在3000米高空中所向披靡，由此得名“红男爵”。此后的一次战斗，他被击中，导致头部中弹。不久德军上层考虑到“红男爵”的宣传价值因而有意地对他进行保护，劝他退出前线不再飞行。热爱飞行的曼弗雷德并不服从命令，要坚持作战。终于，他迎来了飞行生涯中的最后一次出击……
大伢乐队
回复 :经常沉醉在漫画世界中的酒吧侍应生阿星（周星驰 饰）很崇拜黑社会人物，机缘巧合，他被黑帮老大韦杰（杨群 饰）收为手下，并与其义子阿俊（林俊贤 饰）成为莫逆之交，两人同韦杰另一手下朱标（成奎安 饰）搭档做事时配合无间建了许多奇功，以致韦杰打算退休之前从手下众人中找一接班人时，三人成为首选。三人被 派赴泰国金三角进行毒品交易，不想中途生出诸多波折，好不容易完成任务回到香港后，朱标遭人杀害，阿星被疑为凶手不得不藏匿起，阿俊虽相信他是清白却也无计可施。某日阿星电话约出阿俊见面，不想一名杀手尾随而至。
申升勋
回复 :转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
曹格
回复 :A Thelma & Louise set in Belgium.
