轩辕After an experimental drug trial goes horribly wrong, the surviving test subjects have to fight off sleep, and each other, to stay alive.
轩辕After an experimental drug trial goes horribly wrong, the surviving test subjects have to fight off sleep, and each other, to stay alive.
回复 :After embarking as a passenger onboard a cargo ship returning to Europe he begins to question his sanity and the very understanding of his perception of time in this romantic psychological thriller at sea. After a brief encounter with one of the shipmates, James, Christopher settles into life on board the ship. His life quickly falls into a routine that shapes his day-to-day existence, mirroring the monotony of the ship’s passage through open waters.
回复 :本片讲述了发生在纽约冬天的三个彼此之间互相交叉的故事。它们都与视力有关。第一个故事讲述的是一个眼科医生,因为自己的孩子去世,而限于悲痛不能自拔,在内心周围竖起屏障,与亲人朋友逐渐疏远。第二个讲的是一个因为眼病即将失明的艺术家,来到眼科医生的诊所,寻求帮助。第三个故事则是关于一个少年,他跟专横的母亲无法和睦相处,只好用借来的长镜头悄悄拍摄陌生人以解闷。某一天,眼科医生不经意的走进了他的镜头里……
回复 :Every weekend the gay male choir G-Voice rehearses in Seoul – as they have been doing since 2003. The choir, being a kind of antidote to homophobic Korean society, makes the everyday lives of gay men its theme in an intelligent and humorous way. For their tenth anniversary, the members are planning to give their first big concert with ambitious arrangements, creative choreographies and many new pieces. This really puts these amateur singers to the test because the enthusiasm of some members outweighs their vocal abilities, whilst others work themselves into the ground as voluntary organisers. Besides preparing for their big day, G-Voice are also politically active, singing for equality and serenading against discrimination, and not just at LGBTQ demos.Director Lee Dong-ha succeeds, almost incidentally, in giving an insight into gay life in Korea. He also accompanies choir members and organisers after the rehearsals, when conversations become more personal over a meal. Filmed in the style of glossy music videos, G-Voices’ set-pieces provide a commentary, among other things, on the men’s experiences of Korean society, their conservative families and a gay joy of life. berlinale 2016